Though he lived and worked as an outspoken, openly gay, Cuban-born man, conceptual artist Félix González-Torres never wanted any singular aspect of his life to box him in or define his craft. He didn’t care for being labeled a “gay artist” or “Latino artist,” despite the fact that much of his work incorporated themes and imagery from these identities. Through his art, González-Torres addressed—albeit abstractly—a variety of urgent political and social issues, particularly when it came to matters regarding discriminatory public policies, censorship of LGBTQ+ artists, and perhaps most importantly, the global impact of the AIDS epidemic.