All in Guest Author

Although LGBTQ+ rights in Eastern Europe and Western Asia have gotten more coverage recently, many do not know how dire the situation is in Azerbaijan. As a result, many overlooked the contributions that Azerbaijani activist Isa Shahmarli made to the fight for LGBTQ+ rights, resulting in a lack of scholarship on his activism. Some of his contributions include actions he took as the founder and Chairman of Azad LGBT, bolstering queer representation, and providing a safe space for queer Azerbaijanis. Sadly, he committed suicide on January 22, 2014, when he was only 20 years old. Despite this devastating event, Shahmarli has given LGBTQ+ individuals in Azerbaijan and other Muslim-majority countries hope for a future more inclusive of the rainbow. 

History has the power to inform and present broader perspectives on the human experience. For many queer people in the mid 20th century, the history of Classical Greece provided a space where their existence was not just precedented but celebrated. Mary Eileen Challans, known by the pseudonym Mary Renault, was profoundly impacted by ancient Greek literature, which explored same-sex relationships in a way that was unthinkable in contemporary Britain. At times torn between her calling as a writer and her duty as a nurse, Mary authored contemporary and historical novels for over 40 years. They were unusual at the time for their open and empathetic portrayal of queer lives. Her books explored contemporary issues, including both World Wars, the escalating persecution of homosexuals, and apartheid. Throughout all this she was anchored by her partner of 48 years, Julie Mullard.

Literature is often an excellent way to gain insight into a culture, as well as the overall accepted and perpetuated views of a certain subject held by said culture. Even more so are the genres of fiction and fantasy something that can be looked to for this kind of insight, as the settings allow for a full exploration of characters and their interactions, without the limitations of the rules of reality. For those reasons, the subgenre of homoerotic fictional literature is a great resource for the discussion of the topic of male-male homosexuality in Imperial China. With few contemporary sources written on homosexual relationships during this period, fiction is the main way in which historians are able to understand the popular, general public view of homosexuality. Generally speaking, it can be argued through an examination of these sources that representations of homosexuality in fiction written in Qing China set a precedent for how such relationships were viewed by the general public, as opposed to the reality of these relationships.

Though often a forgotten name, Assotto Saint was a trailblazer in the 1980s and early ‘90s who heavily contributed to increasing the visibility of contemporary Black queerness in literature and theater. In addition to writing his own poetry and plays about the Black Gay experience, Saint founded his own theater exclusively devoted to performances about Black Gay men, and also served as a mentor to an entire generation of up-and-coming Black Gay writers as publisher and editor to several Black Gay anthologies. Saint also became one of the first Black activists to publicly disclose his HIV status, ensuring that others like him would have a face and name to feel less alone with their struggle. Between his prolific work and active presence within his community, Saint was a central figure in the Black Gay cultural arts movement at the time, carving out a space for those voices often being left behind. According to Saint, “I deal with Black Gay issues because my art right now is an answer back. It’s a reaction.”

Lord Byron was a star in his time, the first modern celebrity as we think of them. His poems and plays drew fervent admirers, and he was an enchanting persona pursued by waves of variously-gendered lovers. For many, his malformed right foot and frequently sour temper only added to his mysterious allure. Byron was a revolutionary in Greece during their War of Independence and died of a fever there.

Grupo Chaclacayo was a queer art collective from Lima, Peru active from 1982-1994. Through their subversive happenings, processions, photography, drawings, artifacts, and sculptures, they used their bodies as a site to critique issues within Catholicism, military violence, the mistreatment of indigenous communities, and homophobia. Grupo Chaclacayo was comprised of three central members: Helmut Psotta, Sergio Zevallos, and Raul Avellaneda, although they occasionally collaborated with others including Jorge Angeles, Sixto Paniora, Frido Martin, Klaus Wittkamp, Cesar Guerra, and Piero Pereira.

The Philippines is one of the most LGBT friendly countries in Asia. A 2014 poll found that 73% of Filipinos said that gay and lesbian people should be accepted by society—a shockingly different opinion from other nearby Asian countries with Malaysia coming in at 9% and Indonesia at 3%. This is surprising in a majority Roman Catholic country like the Philippines. There is a long history of acceptance for queer people in the Philippines, dating all the way back to pre-Spanish colonization and conversion to Catholicism. In Filipino mythology, there was always a queer presence.

Madame Satã: The Ultimate Queer Archetype

From the smoldering lands of the Northeastern coast of Brazil to the glamorous city of Rio de Janeiro, there’s no more appropriate itinerary for João Francisco dos Santos, better known by his drag persona Madame Satã, or Madam Satan. His fiery and controversial personality not only served as a muse but as a living and walking affirmation against oppression and those who want, without rest, to destroy beautiful things.

Bayard Rustin: At the intersection of black and queer


Black. Gay. Activist. During an era when segregation and severe homophobia began rearing its ugly head in the U.S, an era when the AIDS crisis was just beginning to shake the world at its core Bayard Rustin was in the trenches fighting first for the civil rights of his fellow African American brothers and sisters, and later: the lesbian and gay community. Although Rustin faced harsh criticisms and scrutiny for his identity, his [queer] intervention concerned more than just the iconic mass march on Washington as he was an advocate and often silent leader in social movements for civil rights, socialism, nonviolence and gay rights. A man at the intersection of black and queer, devoted his life with purpose unlike any I’ve ever seen.

Dandies appeared on the page, stage, and European streets beginning in the nineteenth century, reaching into the twentieth century. Although these men were slaves to fashion, they pioneered a new mode of queer expression still emulated today, both in gender expression and in lifestyle. Here we’re exploring the dandy lifestyle as queer––not solely homosexual––with a particular focus on the dandy as asexual, an often ignored historical possibility. We’ll also take a closer look at the similarities between the dandy lifestyle, nonbinary gender expression, and asexuality.

When studying queer history, especially asexual and aromantic history, silence is an immediate problem. The only way to know whether or not someone is asexual or aromantic is through their own identifying as such. The newness of asexual and aromantic communities and silence around sexual orientation has robbed us of this. Finding asexuality historically as an identity, instead of a choice or behavior, is often impossible. Instead of hoping for a definite answer, we must look at behavior, despite every claim that asexuality and aromanticism are identities, not behaviors, read between the lines, and accept that we may never know.

In this article, I will explore the life and impact of Menominee two-spirit lesbian activist, formidable writer, and fierce warrior with a blade to the throat of corruption and injustice; Chrystos. From a harsh upbringing riddled with sexual, physical and emotional abuse, mental illness, and the pain of surviving on the streets as a Native American in a world that silences their very existence, Chrystos self-educated themselves and became a voice for the broken, beaten, and oppressed. To this day, their accomplishments as an Indigenous rights activist and poet has been widely recognized, won numerous awards, and politics are an essential part of their writing with their life as a lesbian and Native American being unapologetically at the forefront of it all. For their own personal preferences, I will be using they/them/their pronouns.

The most famous picture of her—dark tousled hair cropped short and the whisper of a cheeky grin about her lips—is actually a mugshot, taken in 1961 for bookmaking. She ran a small betting system out of her place at Ev’s Eleventh Hour Sports Bar, taking patrons’ money for horseracing. Known for her skill and good humor, she had been brought into the police station and promptly let go. It was a minor charge, one that she conveniently never told her family back in Connecticut about. In most iterations, the placard with her charge and booking ID is cropped out of the image, leaving only the hint of the string blending into the plaid of her shirt. This is the picture that accompanied the 1964 New York Times headline:

37 Who Saw Murder Didn’t Call Police